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Jazz violin is the use of the violin or to improvise solo lines. Early jazz violinists included: , who played violin with 's Dixielanders in Chicago; ; and Claude "Fiddler" Williams. was popular for his work with guitarist during the 1920s. Improvising violinists include Stéphane Grappelli and . In jazz fusion, violinists may use an electric violin plugged into an instrument amplifier with electronic effects.


Swing to bebop
Jazz violin began in New Orleans in the early 1900s.
(2025). 9781561592845, Grove's Dictionaries.
Arrangements for ragtime orchestras had parts for violins in which they were as important as the other instruments. The violin was a lead instrument in the recordings of A. J. Piron,
(2025). 9780195183597, Oxford University Press. .
whose trumpeter also played violin. and Andy Kirk employed violinists in their . played violin as a member of Trent's band in the 1920s and tinkered with acoustic and electric means of increasing the volume of the instrument. Claude Williams alternated between guitar and violin when as a member of the Count Basie orchestra. In Chicago, was violinist and music director for . South was accompanied by when both were members of the band. Violin is one instrument performed on as a member of the Fletcher Henderson band in the 1930s. Angelina Rivera was a classically trained violinist who worked with and . W. C. Handy conducted an orchestra with a three-violin section that included . 's jazz orchestra a had a string section that was led by . The bands of , , and had string sections, though they didn't improvise. Bandleaders who were also violinists included , Clarence Black, Carroll Dickerson, and . Violin became a solo instrument in jazz largely through the efforts of , , Stephane Grappelli, and . Venuti was in a popular duo with guitarist beginning in the 1920s. Grappelli was a member of the group Quintette du Hot Club de France with guitarist Django Reinhardt. In the 1930s when swing was dominant, other violinists included Darnell Howard, , , , and . Perry and provided a link from swing violin to bebop. Examples of bop violin in the 1950s include and , who was in the NBC Orchestra led by Arturo Toscanini. played bop violin in the 1960s as did in the 1970s.

The violin is well-represented in modern jazz and improvisational music. Iyer Voted Jazz Artist of the Year in DownBeat Critics Poll. DownBeat Magazine June 23, 2015. is one of the leading performers in modern and contemporary jazz violin, along with , , and Jean-Luc Ponty. founded The Berlin Philharmonic Jazz Group. With this group he played -and still does- as a soloist on the trumpet and the violin in Europe and the Far East. regularly appears in readers' and critic's polls at Downbeat magazine while playing in an earthy, R&B-influenced style. In gypsy jazz, contemporary violin players include Romanian born Florin Niculescu, Belgian Tcha Limberger, and French violinist and guitarist . Chris Haigh. " Fiddling Around the World." Retrieved February 14, 2021


Amplification
Big bands are loud, but the violin is quiet. One person to address the problem was Augustus Stroh, who invented the in the 1890s that was inspired by the , with a horn connected to project the sound. In the 1930s, Stuff Smith experimented with electric amplification. Since the 1980s an electric violin has been used in which a transducer is built into the instrument.

Jean-Luc Ponty's attraction to jazz was influenced by Miles Davis and John Coltrane, which led him to the electric violin. Critic wrote, "Since Ponty, the jazz violin has been a different instrument" and compared his to Coltrane's., p301


See also
  • Swing (jazz performance style)
  • List of jazz violinists
  • Joe Venuti Discography


Further reading
  • Stringprovisation: A Fingering Strategy for Jazz Violin Improvisation Https://helda.helsinki.fi/handle/10138/303707 by
  • Jazz Fiddle Wizard by Martin Norgaard
  • Jazz Philharmonic by
  • Improvising Violin by Julie Lyonn Lieberman

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