Jazz violin is the use of the violin or electric violin to improvise solo lines. Early jazz violinists included: Eddie South, who played violin with Jimmy Wade's Dixielanders in Chicago; Stuff Smith; and Claude "Fiddler" Williams. Joe Venuti was popular for his work with guitarist Eddie Lang during the 1920s. Improvising violinists include Stéphane Grappelli and Jean-Luc Ponty. In jazz fusion, violinists may use an electric violin plugged into an instrument amplifier with electronic effects.
Swing to bebop
Jazz violin began in New Orleans in the early 1900s.
Arrangements for ragtime orchestras had parts for violins in which they were as important as the other instruments.
The violin was a lead instrument in the recordings of A. J. Piron,
whose trumpeter
Peter Bocage also played violin.
Alphonso Trent and Andy Kirk employed violinists in their
territory bands.
Stuff Smith played violin as a member of Trent's band in the 1920s and tinkered with acoustic and electric means of increasing the volume of the instrument.
Claude Williams alternated between guitar and violin when as a member of the Count Basie orchestra.
In Chicago,
Eddie South was violinist and music director for
Jimmy Wade.
South was accompanied by
Juice Wilson when both were members of the
Freddie Keppard band.
Violin is one instrument
Edgar Sampson performed on as a member of the Fletcher Henderson band in the 1930s.
Angelina Rivera was a classically trained violinist who worked with
Josephine Baker and
Spencer Williams.
W. C. Handy conducted an orchestra with a three-violin section that included
Darnell Howard.
Paul Whiteman's jazz orchestra a had a string section that was led by
Matty Malneck.
The bands of
Artie Shaw,
Tommy Dorsey, and
Earl Hines had string sections, though they didn't improvise.
Bandleaders who were also violinists included
Leon Abbey, Clarence Black, Carroll Dickerson, and
Erskine Tate.
Violin became a solo instrument in jazz largely through the efforts of
Stuff Smith,
Eddie South, Stephane Grappelli, and
Joe Venuti.
Venuti was in a popular duo with guitarist
Eddie Lang beginning in the 1920s.
Grappelli was a member of the
gypsy jazz group Quintette du Hot Club de France with guitarist Django Reinhardt.
In the 1930s when swing was dominant, other violinists included Darnell Howard,
Ray Nance,
Ray Perry,
Svend Asmussen,
and
Michel Warlop.
Perry and
Ginger Smock provided a link from swing violin to bebop.
Examples of bop violin in the 1950s include
Dick Wetmore and
Harry Lookofsky, who was in the NBC Orchestra led by Arturo Toscanini.
Jean-Luc Ponty played bop violin in the 1960s as did
Elek Bacsik in the 1970s.
The violin is well-represented in modern jazz and improvisational music.[ Iyer Voted Jazz Artist of the Year in DownBeat Critics Poll. DownBeat Magazine June 23, 2015.] Mark Feldman is one of the leading performers in modern and contemporary jazz violin, along with Scott Tixier, Mat Maneri, Billy Bang and Jean-Luc Ponty. Adam Taubitz founded The Berlin Philharmonic Jazz Group. With this group he played -and still does- as a soloist on the trumpet and the violin in Europe and the Far East. Regina Carter regularly appears in readers' and critic's polls at Downbeat magazine while playing in an earthy, R&B-influenced style. In gypsy jazz, contemporary violin players include Romanian born Florin Niculescu, Belgian Tcha Limberger, and French violinist and guitarist Dorado Schmitt. [Chris Haigh. " Fiddling Around the World." Retrieved February 14, 2021]
Amplification
Big bands are loud, but the violin is quiet. One person to address the problem was Augustus Stroh, who invented the
Stroh violin in the 1890s that was inspired by the
phonograph,
with a horn connected to project the sound. In the 1930s, Stuff Smith experimented with electric amplification.
Since the 1980s an electric violin has been used in which a transducer is built into the instrument.
Jean-Luc Ponty's attraction to jazz was influenced by Miles Davis and John Coltrane, which led him to the electric violin. Critic Joachim Berendt wrote, "Since Ponty, the jazz violin has been a different instrument" and compared his Musical phrasing to Coltrane's.[, p301]
See also
-
Swing (jazz performance style)
-
List of jazz violinists
-
Joe Venuti Discography
Further reading
-
Stringprovisation: A Fingering Strategy for Jazz Violin Improvisation
by Ari Poutiainen
-
Jazz Fiddle Wizard by Martin Norgaard
-
Jazz Philharmonic by Randy Sabien
-
Improvising Violin by Julie Lyonn Lieberman